CATS Publications 2016

 

Andersen, C K; Taube, M; Vila, A; Baadsgaard, E. ‘Zinc, Paint loss and Harmony in blue : Degradation problems in Peder Severin Krøyer’s paintings and the possible role of zinc white’. In: Perspective, 10.10.2016. (peer reviewed)

 

Borring, N J. ‘Semi-mechanical transfer methods in Nicolai Abildgaard’s drawings.’ In: H Evans & K Muir (eds), CATS Proceedings, II, 2014: Studying 18th-Century Paintings and Works of Art on Paper. Archetype Publications Ltd, London, s. 118-127. 2016 (peer reviewed)

 

Filtenborg, T F; Buti, D; Vila , A & Wadum, J. ‘Colour changes due to the fading of Prussian blue in Danish Golden Age paintings’. In: R Clarricoates, H Dowding & A Gent (red), Colour Change in Paintings. Archetype Publications Ltd. London, London, s. 27-38. 2016 (peer reviewed)

 

Kristiansen, Karin V. ’500 års farver i de danske kirker – at udsmykke, pryde og bevare’. In: Nationalmuseets Arbejdsmark, pp. 214-230. 2015/2016 (peer reviewed)

 

Mass, J, Uffelman, E, Buckley, B, Grimstad, I, Vila , A, Delaney, J, Wadum, J, Andrews, V, Burns, L, Florescu, S & Hull, A, ‘Portable X-ray Fluorescence and Infrared Fluorescence Imaging Studies of Cadmium Yellow Alteration in Paintings by Edward Munch and Henri Matisse in Oslo, Copenhagen, and San Francisco’. In: Smithsonian Contributions to Museum Conservation, vol 5, s. 53-64. 2016. (peer reviewed)

 

Nielsen, I & Borring, N J. ‘Nicolai Abildgaard: an 18th-century Danish artist and his paper’. In: H Evans & K Muir (red), CATS Proceedings, II, 2014: Studying 18th-Century Paintings and Works of Art on Paper. Archetype Publications Ltd, London, s. 109-117. 2016 (peer reviewed)

 

Läänelaid, A; Daly, A & Sohar, K. ‘What wood tells us. Dendrochronological research methodology.’ In: Hiiop, H & Kurisoo, M (eds) Rode Altarpiece in close-up. Publisher: Art museum of Estonia – Niguliste Museum. 2016 (peer reviewed)

 

Vermeulen, M; Saynova, J; Vila, A; Buti, D; Martinez-Criado, G; Suuronen, P; Tucoulou, R; Nuyts, G & Janssens, K. ‘Visualization of As(3+) and As(5+) distributions in degraded paint micro samples from a Baroque-era painting’. In: Journal of Analytical Atomic Spectrometry, 31, 1913-1921. 2016 (peer reviewed)

 

van Vlierden, M; Wadum, J & Wolters, M. ‘MARKS ON ART database’. In: Origine, vol 24, nr. 2-2016, s. 44-45. 2016 (not peer reviewed)

 

 

CATS Publications 2015

 

Borring, N. J. & Hilby, C. (2015). ‘Dürer under enzymkniven’, Bulletin, NKF, Nordisk Konservatorforbund, Copenhagen, no. #92. (peer reviewed)

 

Borring, N. J. & Hilby, C. (2015). ‘Enzymes in Conservation – separating the Triumphal Arch by Albrecht Dürer with alpha-amylase in agarose gels’, Berlin, Germany, 12/10/2015 – 16/10/2015. (peer reviewed)

 

Borring, N. J. (red); Singer, H.; Hilby C. & Klyver, L. (2015). ’Dürer under kniven’, Exhibition catalog, Statens Museum for Kunst: Magt og Ære. Albrecht Dürer i kejserens tjeneste. (peer reviewed)

 

Borring, N. J.; Filtenborg, T. & Nielsen, I. (2015). ’Studying 18th-Century Paintings and Works of Art on Paper’ (ed. Helen Evans and Kimberley Muir), CATS Proceedings No. II, Archetype Publications Ltd. in association with CATS, 163 pages. (peer reviewed)

 

Buti, D.; Vila, A.; Haack Christensen, A.; Filtenborg, T. F.; Ludvigsen, L.; Dalby, K. N. & Wadum, J. (2015). ‘Clay ground in paintings: from Northern to Southern Europe’, TECHNART 2015, Catania, Italy, 27/04/2015 – 30/04/2015. (peer reviewed)

 

Filtenborg, T. F.; Buti, D.; Vila , A. & Wadum, J. (2015). ‘Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings’, Paper presented, London, United Kingdom, 09/10/2015 – 09/10/2015. (peer reviewed)

 

Filtenborg, T. F. (2015). ‘Canvas Supports in Paintings by Nicolai Abildgaard: Fabrics and Formats’. in H. Evans & K. Muir (eds), Technology and Practice: Studying 18th-Century Paintings and Art on Paper. Archetype Publications Ltd., London, pp. 128-139. (peer reviewed)

 

Filtenborg, T. F.; Buti, D.; Vila, A. & Wadum, J. (2015). ‘Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings’ Paper presented at, London, United Kingdom, 09/10/2015 – 09/10/2015. (peer reviewed)

 

Filtenborg, T. F.; Skou-Hansen, J.; Koch Dandolo, C. L. & Uhd Jepsen, P. (2015). ‘Seeing Beyond the Painting Surface with Terahertz Time-Domain Imaging (THz-TDI): a signal separation method for extracting images of buried individual layers in paintings’ Applied Optics, vol 54, no. 16, 235749, pp. 5123-5129. (peer reviewed)

 

Koch Dandolo, C. L.; Filtenborg, T. F.; Uhd Jepsen, P. & Skou-Hansen, J. (2015). ‘Analysis of a 17C Panel Painting by Reflection Terahertz Time Domain-Imaging (THz-TDI): contribution of ultrafast optics to museum collections inspection’ in: Applied Physics A, 121(3), 2015, pp. 981-986. (peer-reviewed)

 

Kolind Poulsen, H. & Borring, N. J. (2015). Magt og Ære. Albrecht Dürer i kejserens tjeneste. Statens Museum for Kunst, Copenhagen. (peer reviewed)

 

Krarup Andersen, C. (2015). ‘Conservation OnLine’ (CoOL): Lexical and Classification Resources, USA.

 

Krarup Andersen, C. (2015). ‘Lining, relining and the concept of univocity’, E – Conservation Magazine, vol 23, March, p. 47-56. (peer-reviewed)

 

Krarup Andersen, C. (2015). ’Sprogforvirring kan skade kunstmalerier’, videnskab.dk

 

Vila, A. (2015). ‘Arte Moderno, nuevos problemas’, in La Ciencia y el Arte V: Ciencias experimentales y conservacion de patrimonio. 2015 edn, Madrid. Spain.

 

Vila, A, Clark, ML, McCabe, C, Maines, CA, Centeno, SA & Barro, L 2015, ‘An Investigation into Japine Platinum Photographs: William Willis´s Proprietary Paper’ Journal of the American Institute for Conservation, pp. 213-223. (peer reviewed)

 

Vila, A.; Centeno, S. A.; Kennedy, N. W. & Barro, L. (2015). ‘Unveiling the Sources of Chromium in Pictorialist Photographs: Gum-Dichromate Process or Paper Sizing?’, Hand Papermaking, vol 30, no. 2, pp. 24-29. (peer reviewed)

 

Wadum, J. (2015). ‘Christian IV’s Winter Room and Studiolo at Rosenborg Castle’, http://gersondenmark.rkdmonographs.nl/5.-christian-iv2019s-winter-room-and-studiolo-2013-joergen-wadum. [Online]. Available from: http://gersonpoland.rkdmonographs.nl/, http://gersondenmark.rkdmonographs.nl/5.-christian-iv2019s-winter-room-and-studiolo-2013-joergen-wadum, [Accessed 06. May 2015]. (peer reviewed)

 

Wadum, J. (2015). ‘Cranach, His Sons, and Their Workshop: The Endless Problem of Hands (Part I)’. in EA Werner, A Eusterschulte & G Heydenreich (eds), Lucas Cranach der Jüngere und die Reformation der Bilder. Hirmer Verlag, München, pp. 192-199. (peer reviewed)

 

 

CATS Publications 2014

 

‘Canvas Supports in Paintings by Nicolai Abildgaard: Fabrics and Formats’, in Proceedings of the CATS technical art history symposium ‘Technology and Practice: Studying Paintings and Art on Paper’, 2-3 June 2014. (peer-reviewed)

 

‘Between Formula and Freestyle. Nicolai Abildgaard and Eighteenth-Century Painting Technique’, I CATS Series of Technical Studies. Troels Filtenborg, Anna Vila Espuna. Archetype Publications Ltd., London 2014. (peer-reviewed)

 

‘Un’opera giovanile di Tiziano: il Ritratto D’Uomo di Copenaghen’. Wivel, M.; Filtenborg, T. In Arte Veneta, 2014, pp. 41-55. (peer-reviewed)

 

‘As Time Passed by Came Sunset. Christen Købke’s ‘View of Lake Sortedam’, its Genesis and Colour Changes’. Vila, A.; Monrad, K.; Filte nborg, T.; Wadum, J. In Science and Art. The Painted Surface. (red. Antonio Sgamellotti, Brunetto G Brunetti og Costanza Miliani). London, Royal Society of Chemistry, 2014, pp. 354-372. (peer-reviewed)

 

Nielsen, I. & Borring, N. 2014. ‘Nicolai Abildgaard – an 18th Century Danish Artist and his Paper’. In: Proceedings of the CATS symposium ‘Technology and Practice: Studying Paintings and Art on Paper’, 2-3 June 2014. (peer-reviewed)

 

Nielsen, I. 2014. ’Digital registrering af vandmærker med særlig fokus på papir fra Ørholm-Nymølle’. In: Nordisk Pappershistorisk Tidskrift 3/2014, pp. 39-41.

 

Buti, D.; Vila , A.; Haack Christensen, A.; Filtenborg, T. F.; Dalby, K. N. & Wadum, J. 2014, ‘”Clay grounds” in Denmark: from soil to canvas’ Gordon Research Conference, Newry (ME), United States, 27/07/14 – 01/08/14.

 

Vila, A, Wadum, J, Mass, J, Uffelman, E, Buckley, B, Grimstad, I, Andrews, V, Burns, L, Florescu, S & Hull, A 2014, ‘pXRF and IR Fluorescence Imaging Studies of CdS Alteration in Paintings by Edvard Munch and Henri Matisse in Oslo, Copenhagen, and San Francisco’.

 

Pedersen EDLF, Filtenborg T. A Boutsian Madonna. ArtMatters!. 2014. (peer-reviewed)

 

Andersen, C. K., Mecklenburg MF, Scharff M, Wadum J. With the best intentions. Wax-resin lining of Danish Golden Age paintings (early 19th century) on canvas and changed response to RH. ICOM-CC Preprints . 2014 sep;(14). (peer-reviewed)

 

Vila A, Monaghan MC. In depth technical study of five works by the late 17th century still-life painter Elias van den Broeck (1649/50-1708). 2014. Poster session presented at ICOM-CC conference, Melbourne, Australien. (peer-reviewed)

 

Vila A, L. Andersen C, Kathrine S, Rasmussen P. Tal R: Liquefying Paint-A New Collaboration Between Museum and Artist’s Studio. 2014. Poster session presented at ICOM-CC 14th Triennial Conference, Melbourne, Australien. (peer-reviewed)

 

Vila Espuna A, Centeno SA, Barro L. Characterization of Early Platinotype Papers by Raman, FTIR and XRF. Microchemical Journal. 2014 : 114 (May). (peer-reviewed)

 

Vila Espuna A, Centeno SA, Kennedy NW. Technical Study of Pictorialist Photographies at the Collection of the Metropolitan Museum of Art. Metropolitan Museum of Art Bulletin. 2014. (peer-reviewed)

 

Vila Espuna A, Monrad K, Wadum J, Filtenborg T. As time passed by came sunset. Christen Købke’s ‘View of Lake Sortedam’, its genesis and colour changes. I Sgamellotti A, Brunetti BG, Miliani C, red., Science and Art. The Painted Surface. London: Royal Society of Chemistry. 2014. pp. 354-372. (peer-reviewed)

 

Wadum J. Documenting North Netherlandish 17th Century Panel Makers’ House Marks. 2014. (peer-reviewed)

 

Wadum J, Haack Christensen A, Vila AE, Scharff M. The Eye or Chemistry? Connoisseurship and Technical Art History for Authentication. 2014. (peer-reviewed)

 

 

CATS Publications 2013

 

Andersen, Cecil K. 2013. ‘Lined canvas paintings : Mechanical properties and structural response to fluctuating relative humidity, exemplified by the collection of Danish Golden Age paintings at Statens Museum for Kunst (SMK)’. Ph.D. dissertation. The Royal Danish Academy of Fine Arts, Schools of Architecture, Design and Conservation, Copenhagen, 145 p.

 

Andersen, Cecil K. 2013, ‘Konservatorer med ph.d.: Lined canvas paintings, Mechanical properties and structural response to fluctuating relative humidity’. NKF Bulletin, no. 89/2013, p. 10.

 

Pedersen, Eva de la F. and Filtenborg, T. 2013. Two versions of a Boutsian Virgin and Child painting: questions of attribution, chronology and function’, in European Paintings 15th-18th Century: Copying, Replicating and Emulating, Hermens, E. (ed.) pp. 36-49. London: Archetype Publications.

 

Wadum, J. 2013. ‘The management of aesthetics and decay’, in Managers of Decay – Conservation and Restoration, Gossens, A. (ed.) pp. 10-19, University of Amsterdam, Lecturis bv, Eindhoven.

 

MEMORI, Measurement, Effect Assessment and Mitigation of Pollutant Impact on Movable Cultural Assets, Final project report, 2013.

 

Brajer, I. (ed.) 2013. Conservation in the Nineteenth Century. London: Archetype Publications, 243 p.

 

Brajer, I. and Ørum, S. 2013. ‘Jacob Kornerup and the conservation of wall-paintings in nineteenth-century Denmark’, in Conservation in the Nineteenth Century, Brajer, I. (ed.) pp. 116-128. London: Archetype Publications. (peer reviewed)

 

Brajer, I., Schädler-Saub, U. and Ørum, S. 2013. ‘Documentation of medieval wall-paintings in Denmark and Germany in the nineteenth century and its impact on conservation and contemporaneous art’, in Conservation in the Nineteenth Century, Brajer, I. (ed.) pp. 129-146. London: Archetype Publications. (peer reviewed)

 

Cone, L. and Lundbye, L. 2013. PRIMI – Plastic Research and Innovation for Museums and Industry. Lundbye, L. (ed.). Copenhagen: Förlagshuset Nordens Grafiska AB, SMK/CATS, 76 p.

 

Vila, A. et al. 2013. ‘An Initial Investigation into Japine: Willis’s Proprietary Paper’. Topics in Photographic Preservation, Vol. 15. Proceedings presented at the PMG session of the 2012 AIC Annual Meeting in Albuquerque, New Mexico.

 

Vila, A. et al. 2013. ‘Characterization of Early Platinotype Papers by Raman, FTIR and XRF’. Microchemical Journal.

 

Bonaduce, I., Colombini, M.P., Scharff, M. et al. 2013. ‘The impact of organic acids on varnishes in museum environments’.

 

 

CATS Publications 2011-2012

 

Andersen, C.K., ’Dublerede danske Guldaldermalerier. En kortlægning af dubleringens effekt på maleriernes fugtfølsomhed’, PhD presentation, in NORDISK MUSEOLOGI, 2012, 1, pp. 89-91. (peer reviewed)

 

Andersen, C.K., Lining canvas paintings, mechanical properties in changing relative humidity exemplified by the collection of Danish Golden Age paintings at Statens Museum for Kunst (SMK). Poster of PhD thesis. Academy Exhibitions – studies and research. The Royal Danish Academy of Fine Arts, Schools of Architecture, Design and Conservation, Galleriet, Copenhagen, January 2013.

 

Andersen, C.K., ‘Lining, relining and the concept of univocity’, in e-conservation, The online magazine, no. 23, March 2012, pp. 47-56. (peer reviewed)

 

Andersen, C.K., I. Nielsen, ‘Lining with fixed interleaf. A case study in the mechanical effects of paper interleaf and binders’, in The Sticking Point: Adhesives & Consolidants in Paintings Conservation. Proceedings from the ICON Paintings Group Conference 2011, National Portrait Gallery, London 2011, pp. 32-43. (peer reviewed)

 

Christensen, A.H., ‘Account books of the Royal Danish Painting Material Stores – A source on artists’ practice and material trade during the reign of King Christian IV’, in ICOM’s 16th Triennial Conference Preprints, Lisbon, Portugal, September 2011. (peer reviewed)

 

Christensen, A.H., H. Tempest, A. Wadum, et al., ‘Christ Driving the Traders from the Temple: painting materials and techniques in the context of 16th-century Antwerp studio practice’, in E. Hermens (ed.), On the Trail of Bosch and Bruegel – Four Paintings United under Cross-examination. CATS Series of Technical Studies. Archetype Publications in collaboration with CATS/SMK, 2012, pp. 23-43.

 

Christensen, A.H., J. Wadum, ‘Four Paintings Magnified – Tracing Bosch and Bruegel’, published April 2012 at the Leica Science Lab web http://www.leica-microsystems.com/science-lab/four-paintings-magnified/

 

Filtenborg, T., J. Wadum, et al., ‘Determining trends and developments in Jordaens’ priming techniques’, in Jacob Jordaens: Genius of Grand Scale – Genie großen Formats, (CISA=Cultural and Interdisciplinary Studies in Art 10). Stuttgart 2012, pp. 245-267.

 

Hermens, E., (ed.), On the Trail of Bosch and Bruegel – Four Paintings United under Cross-examination, CATS Series of Technical Studies, Archetype Publications in collaboration with CATS/SMK, 2012.

 

Larsen, R., M. Scharff, et al., ‘MEMORI project: evaluation of damage to exposed organic-based heritage materials and nanoforart: evaluation of nanoparticle-based conservation treatment’. Short papers in Progress in Cultural Heritage Preservation, EUROMED 2012, pp. 319-324. (peer reviewed)

 

Larsen, R., M. Scharff, et al., ‘Non-destructive and minimally invasive test methods for the evaluation and assessment of moveable organic-based heritage materials’. Proceedings from the 2nd European workshop, in Cultural Heritage Preservation, EWCHP-2012,  2012, pp. 12-19. (peer reviewed)

 

Larsen, R., M. Scharff, ‘Piezo-electric quartz crystal-based dosimetry and damage assessment of parchment and artists’ varnish’. Proceedings of the European workshop on cultural heritage preservation, in Cultural Heritage Preservation, EWCHP-2011, 2011, pp. 182-187. (peer reviewed)

 

Nielsen, I., ‘The paper in ‘Jammers Minde’’, in Care and conservation of manuscripts 13. Proceedings of the thirteenth international seminar held at the University of Copenhagen 13th-15th April 2011, published 2012, pp.133-145. (peer reviewed)

 

Scharff, M., ‘Modern techniques of lining’, in J.H. Stoner & R.A. Rushfield (eds.), Conservation of Easel Paintings, Routledge Series in Conservation and Museology, 2012, pp. 438-451.

 

Scharff, M., ‘Structural treatment of canvas paintings, especially using low-pressure suction tables’, in The conservation of easel paintings, in J.H. Stoner & R.A. Rushfield (eds.), Conservation of Easel Paintings, Routledge Series in Conservation and Museology, 2012, pp. 396-408.

 

Scharff, M., et al., ’Damage Assessment of Organic-based Heritage Materials’. Poster presented at Climate for Collections. Standards and Uncertainties, Munich, Germany, 7-9 November 2012.

 

Scharff, M., et al., ‘Impact loads of air pollutants on paintings: performance evaluation by modeling for microclimate frames’, in Journal of the American Institute for Conservation, JAIC, nr. 50:2, pp. 105-122. (peer reviewed)

 

Scharff, M., et al., ’Non-destructive and minimal invasive test methods for the evaluation and assessment of movable organic-based heritage materials’. Abstract for the 2nd European Workshop on Cultural Heritage Preservation (EWCHP), Oslo, 24-26 September 2012. (peer reviewed)

 

Scharff, M. et al., ‘The role of indoor environmental pollutants in the degradation of natural resins’. Proceedings from the 2nd European workshop, in Cultural Heritage Preservation, EWCHP-2012, 2012, pp. 151-157. (peer reviewed)

 

Tempest, H., A.H. Christensen, ‘Sixteenth century Netherlandish Workshop Practices: a Technical Investigation of the Copenhagen Version of Christ Driving the Traders from the Temple’. Poster presentation at CHARISMA: The Renaissance Workshop: The Materials and Techniques of Renaissance Art, British Museum, London 10 – 11 May 2012.

 

Tempest, H., et al., ‘The conservation and restoration of the Copenhagen, Tallinn and Glasgow paintings: past and present’, in E. Hermens (ed.), On the Trail of Bosch and Bruegel – Four Paintings United under Cross-examination. CATS Series of Technical Studies. Archetype Publications in collaboration with CATS/SMK, 2012, pp. 123-141.

 

Vila, A., et al., ‘Understanding the Gum Dichromate Process in Pictorialist Photographs: A Literature Review and Technical Study’, in print for Studies in Conservation. Published online 13. December 2012. (peer reviewed)

 

Wadum, J., ‘Discoursing Objects – The Multiple Faces of Conservation Documentation’, in Kermes: arte e tecnica del restauro, 85. Firenze 2012, pp. 33-38. (peer reviewed)

 

Wadum, J., M. Scharff, ‘Tracing the individual ‘handwriting’ of four 16th-century artists through their underdrawings’, in E. Hermens (ed.), On the Trail of Bosch and Bruegel – Four Paintings United under Cross-examination. CATS Series of Technical Studies. Archetype Publications in collaboration with CATS/SMK, 2012, pp. 59-77.